My novel DANCES SACRED AND PROFANE: A Gothic Romance... my deepest, richest, most ambitious work is available for Amazon Kindle all this week at a reduced price of £0.99. You can GET IT HERE... Here's a sample chapter to whet your appetite.
15./ I
resumed my search for Anabella, clutching at her elder sister's
suggestion that a second look at her bedroom would likely find her
back beneath the sheets. Reaching her door, I found it closed, as I
had left it, no illumination showing beneath. I pressed my ear to the
wood, heard nothing, gave the door a discreet knock and then, when
this went unanswered, clicked open the door.
My lamplight fell across Anabella.
She lay face down beneath freshly-smoothed bedsheets, body animated
solely by the slight rising and falling of her upper back in time to
breaths drawn in deep slumber. I crossed to the bed, the doll on the
wickerwork chair by the window watching me with those inescapable
eyes often dispensed to humanity's simalucrums.
I sat on the edge of the bed,
stroking aside a few wine dark curls that sprawled across the white
pillow, better revealing the profile beneath, Anabella’s youthfully
plump features bunched in sleep, a tiny sheen of saliva on the fabric
below her half open lips. I turned to rise and found myself facing
the figure in the wickerwork chair.
This was not the glass-eyed doll that
had sat there a moment before, but the seated form of a tall, thin
man, wizened skin taut across his skull, a widow's peak of dark grey
hair equally tight across his scalp, a crumpled black suit loose as
shovelled earth about his bones. His position in the chair suggested
his staring at either myself or Anabella, but for the single moment I
saw him the sockets of his eyes appeared either sunk in shadow or
obscured by black spectacles, like those of a blind man. He was
rising from the chair, or so I suppose, although my impression was
more of his remaining seated but elongating his top half towards us,
accompanied by a half sweet scent suggestive of wet earth and
withered flowers.
I noted too, in that same instant,
that his lap was heaped with what I took for half a second to be dead
leaves, but which I then realised was a mingling of the corpses of
small and scruffy birds with the limbs and severed heads of
torn-apart dolls, all burnt black or bathed in oil, eyes of glass and
eyes of flesh staring at me from the tangle. As the man’s lap began
to rise in pursuit of the upper half of his body, this mess slid from
his knees. As it slid, I saw two of the doll-eyes blink as if alive
and helpless.
A bolt of flame flared up my lamp's
glass chimney, dazzling me, then plunging me into darkness.
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