Vampires
in the Vault
A
dramatic storytelling show by MARTY ROSS
Paradise
In The Vault (venue 29)
11
Merchant St. EH1 2QD
8
– 15 August 17.55
Box office: 0131 510 0022
www.paradise-green.co.uk
Tickets
£8 / £6 (2for1 on 10th.
& 11th.)
After
his acclaimed 21st.
Century Poe shows at 2013 & 2014's Edfringe, live storyteller and
playwright Marty Ross (BBC Radio drama; Doctor Who & Dark Shadows
audio) descends once again into the Vault with a themed show
alternating two vampire tales – dare you see them both?
His
radically updated Poe shows saw him acclaimed as “a compelling
onstage presence”, “a master craftsman who never turns down the
pressure” with a gift for “insanely good storytelling” and “a
great aptitude for suspense & terror”. Now he descends deeper
into the dark with stories of vampirism, historic and modern,
supernatural and disturbingly real.
In
THE GORBALS VAMPIRE, being performed on Sat 8th,
Mon 10th.
Wed 12th.
& Friday 14th.
August, Glasgow's very own urban legend of an iron-toothed vampire in
the city's Southern Necropolis inspires a disturbing tale of
innocence lost. Twenty years ago, Timmy disappeared in the graveyard,
victim of a schoolkid prank. Now he's back, to tell the tale of where
he's been... and how close he came to being trapped there forever.
In
BLOOD & STONE: Lullaby For A Vampire Countess, being performed on
Sun 9th.
Tue 11th.
Thurs 13th.
& Sat 15th.
August, Ross
again draws on a true tale, in this case that of the Hungarian Bloody
Countess Elizabeth Bathory, aka “Countess Dracula”, who in the
early 1600s was imprisoned in her castle for bathing in the blood of
her victims. This fictional sequel to the historical story imagines a
servant listening to the Countess' protestations of innocence and
being tempted to set her free.... (Marty Ross' audio drama version of
this story was nominated for a 2012 Rondo Award – the horror
world's Oscars – and can be downloaded here:
http://www.wirelesstheatrecompany.co.uk/product/blood-and-stone/
)
Anyone
who has seen Ross' previous shows will be aware of his ability, with
the simplest resources, to – as Broadway Baby said - “ paint
vile pictures and weave a grotesque spell over his listeners”, to
create, in the words of Fringe Review “an immensely entertaining
ride that scared and shocked in equal measure – a fair ground ghost
ride for the 21st.
Century.” Forget any quaint olde-worlde notions of live
storytelling – this is storytelling as visceral, in your face,
expressionistic, full tilt theatre, Ross using bold gesture and
imagistic language as he shifts fluidly across a whole dramatis
personae of characters innocent and monstrous, young and old, male
and female, good and evil. Horror and dark humour, stark tragedy and
grand guignol, Gothic Hungary and the hard side of modern Glasgow,
are all evoked as vividly as in any classic horror film. Descend into
The Vault and see for yourself....
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